STVDIA HVMANITATIS
SAT · 15 AUG · MMXXVI

PROSPECTVS ACADEMICVS · MMXXVI–MMXXIX

THE HUMANITIES BA (Hons) · full syllabus, study toolkit & degree planner

COURSE HUM 101–404ENTRY SEP 2026 DURATION 3 YRS (4 W/ ABROAD)CREDITS 180 ECTSAWARD BA (Hons)
hūmānitās, -ātis (f.)

From Latin homo, “human being.” The programme follows the historic arc of the studia humanitatis — grammar, rhetoric, poetry, history, moral philosophy — as a modern, research-taught degree with weekly seminars, a supervised thesis, and an oral defense.

0core modules
0elective modules
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0reading / week, Y1
A university reading room
fig. 01 — seminar room & special collections
A student notebook with marginalia
plate II · seminar notebook, week 7

§ I — Programme Description

What thehumanities are

The natural sciences explain how the world works; the social sciences model how people behave. The humanities ask a third question: what does it mean — and what, therefore, should we do?

They are the disciplines that interpret, critique, and conserve human culture through its records: texts, images, sounds, artifacts, rituals, and arguments. Their instruments are close reading, evidence, reasoning, and imagination — and their test is not prediction but understanding.

This degree treats the humanities as one conversation with many languages. Year 1 builds the shared spine; Year 2 adds method and theory; Year 3 is seminars, a specialization track, and a supervised thesis.

Question
Natural sciences
Social sciences
Humanities
Core question
How does it work?
What patterns govern people?
What does it mean, and what should we do?
Method
Experiment & measurement
Statistics & models
Interpretation, argument, evidence of texts & things
Standard of proof
Replicability
Predictive validity
Coherence, evidence, insight
Unit of study
Laws & mechanisms
Populations & variables
The particular work, event, life
Taught chiefly by
Labs & problem sets
Surveys & datasets
Seminars, essays, theses

Disciplines in the faculty

FOURTEEN FIELDS · TAP ANY ROW TO UNFOLD ITS ENTRY

The working methods

TAUGHT EXPLICITLY IN HUM 103, PRACTISED EVERYWHERE DATA.after

§ II — Historical Background

Thirty thousand years,nine turning points

Every student of the humanities inherits this chronology. It is introduced in Year 1 (HUM 103) and examined in Year 2 (HUM 201).

§ III — Programme Structure

Three years,180 credits

Sixty ECTS per academic year, thirty per term. Two teaching terms a year with a reading week in the middle of each. A year abroad is available between Years 2 and 3. Try the interactive planner in § XVI.

180ECTS total (≈120 US credits)
60 / yrcredits per academic year
14 hcontact hours per week
26 hindependent study per week
2 × 12teaching weeks per year
10,000words, capstone thesis

Specialization tracks — Year 3 electives

CHOOSE ONE TRACK; ITS SEMINARS FILL SPECIALIZATION SLOTS I–III

Progression & classification

§ IV — Module Catalogue

The core,module by module

Nine required modules anchor the degree. Each entry gives the syllabus essentials: description, learning outcomes, key readings, and assessment. Open any row to read the full entry.

Week-by-week teaching plans follow in § VII; assignment formats in § X; seminar questions in § XII.

CORE MODULES · 85 ECTS OF THE 180 · REMAINDER: LANGUAGE, SEMINAR ELECTIVES, TRACK SEMINARS

§ V — Course Map

Prerequisites &the path through

Modules unlock in sequence. Everything converges on HUM 399, the capstone thesis — the only module with an oral defense.

§ VI — A Week in the Life

Contact hours &the other hours

A representative Year 1 week, Term 1. Colour marks the format: lectures deliver the map, seminars do the thinking, tutorials personalize it, and independent study is where it actually lands.

The 40-hour study week

§ VII — Weekly Teaching Plans

Week by week,module by module

The full teaching sequence for six flagship modules: topic, assigned reading, and the week’s deliverable. Weeks marked in red carry graded work.

§ VIII — The Course Reader

Fourteen weeks,fourteen texts

The reading spine of HUM 201 History of Ideas — the module every student remembers. All texts are supplied in the course reader; editions are announced in Week 1.

Reading load by module

PAGES PER WEEK · SKIMMING IS TAUGHT IN HUM 103 · PEAK WEEK ≈ 650 PP

Recommended editions

WHEN YOU BUY YOUR OWN COPIES, THESE ARE THE ONES WE CITE

§ IX — Learning Outcomes & Assessment

What you will be ableto do at graduation

Eight programme outcomes, mapped to Bloom’s taxonomy. Every module’s assessment is aligned to at least three of them; the rubric below governs all essays.

Assessment weighting, programme-wide

AGGREGATE ACROSS ALL MODULES · NO SINGLE EXAM EXCEEDS 40% OF ANY MODULE

Essay specifications

  • 12 pt serif, double-spaced, 2.5 cm margins
  • Citation: Chicago Manual of Style, 18th ed. — notes & bibliography
  • Submission: single PDF via the portal · filename HUM201_Surname_Essay1.pdf
  • Word count includes footnotes, excludes bibliography · ±10% tolerance
  • Late work: −2 marks per day, to a maximum of 7 days (see § XIV)
  • Generative AI: permitted only as declared assistance — see Academic Integrity

Grading bands

MARKS ARE CRITERION-REFERENCED AGAINST THE DATA.outcomes ABOVE

The essay rubric

APPLIED TO ALL ESSAYS OF 1,500+ WORDS · COLUMN A DESCRIBES THE STANDARD

§ X — Assignment Types

Eleven thingsyou will learn to write

Each genre has its own grammar. The progression is deliberate: from 600-word close readings to a 10,000-word thesis defended aloud.

§ XI — Anatomy of an A Paragraph

One paragraph,dissected live

A model paragraph from a past HUM 201 essay on Dante — colour-coded by function. This is what the rubric’s “A” column looks like in the wild. Shown in seminars in Week 6.

Dante’s swoon at the end of Canto V is not sympathy overcoming him, but sympathy convicting him. Francesca has just recast the lovers’ downfall as the work of the book they read — “Galeotto fu ’l libro e chi lo scrisse” — and the pilgrim, who arrived in this circle moved by her story, hears in that line an accusation against his own pity. To pity Francesca is to agree with her self-exculpation; to agree is to misread justice; and the poem, which has placed her precisely where justice puts her, cannot permit its reader that error. The faint is therefore the poem’s correction of its own protagonist — a staged act of mercy that the structure of Hell reveals as a rebuke. Dante reads pity as a form of misreading precisely here, because here the rhetoric of pity is indistinguishable from the rhetoric of the sin. (Inferno V, 137–138; cf. Barolini, “Dante’s Sympathy and the Poetics of Misreading”)
Claim

The paragraph’s thesis — arguable, specific, first.

Evidence

The primary text quoted in the original, translated by context.

Analysis

The logical chain that makes the evidence support the claim.

Pivot

The turn from description to interpretation — the “therefore.”

Stakes

Why this reading matters for the whole work — the closing lift.

§ XII — The Question Culture

Half the degreeis learning to ask

Seminars run on prepared questions, and exams are built from the same material. Below: standing seminar questions for four modules, and a bank of recent examination prompts. Notice the verbs: defend, dismantle, assess, trace.

Recent examination questions

SEEN PAPERS · QUESTIONS RELEASED BEFORE THE EXAM

STANDING SEMINAR QUESTIONS · TAP A MODULE

§ XIII — Academic Calendar · MMXXVI–27

The year,month by month

Teaching Assessment Break & research RW = reading week (no classes, no deadlines)

Key deadlines

ALL DATA.deadlines FALL AT 12:00 NOON LOCAL TIME · EXTENSIONS VIA § XIV

§ XIV — Course Policies

The rules ofthe seminar room

Six standing policies apply to every module. They are summarized here and printed in full in every module handbook.

THE SPIRIT OF THE DATA.policies

Deadlines are real, life is also real — tell us early and almost everything can be arranged.

§ XV — Your Support Team

Six offices,one degree

How to use office hours

Bring a question, not an apology. Bring your draft, even the bad draft — especially the bad draft. Ten minutes in office hours usually beats two hours of private anguish. And go in Week 2, not Week 11: advice compounds like interest.

§ XVI — Build Your Degree

Assemble the180 ECTS

Core modules are fixed (gold checks). Within each elective slot, choose exactly one option. The meter below tracks your running total — a complete degree reads 180/180 with every year at 60.

RULES · 60 ECTS PER YEAR · EXACTLY ONE OPTION PER ELECTIVE SLOT · TRACK CHOICE CARRIES 20 ECTS ACROSS THREE SEMINARS · YEAR-ABROAD VARIANT TRANSFERS YEAR 3 CREDITS

§ XVII — Placement Quiz

Eight questionsbefore you enroll

Not admissions — orientation. Everything here is covered in the first term; see how much you already carry, then mark your answers.

§ XVIII — Beyond the Classroom

The degree continuesafter six p.m.

§ XIX — The Field: Rise & Fall

Three enginesof ascent

Prospective students should know the field’s position: the humanities were carried to a mid-twentieth-century peak by an institution, a technology, and a policy — and have been negotiating a long decline since. Both facts belong in any honest prospectus.

ENGINE — I · INSTITUTION

The University

From Bologna (1088) through Humboldt’s Berlin (1810), the university fused teaching with research and made Bildung a public credential.

est. 1088
ENGINE — II · TECHNOLOGY

The Printing Press

Movable type — Bi Sheng (c. 1040), then Gutenberg (c. 1450) — collapsed the price of books a hundredfold.

c. 1450
ENGINE — III · POLICY

Public Money

The GI Bill (1944) and the welfare state sent millions of first-generation students into lecture halls.

1944 →

§ XIX (cont.) — The Long Decline

Why the numbersturned down

The vocational turn

As tuition rose and debt grew, students drifted toward degrees with visible, near-term payoffs.

Austerity after 2008

Funding cuts fell first on “low-enrollment” programs — which, by major counts, meant the humanities.

The STEM premium

Policy and employers championed science and technology; the humanities were framed as a luxury.

Theory’s inward turn

The critical revolution enriched scholarship but widened the gap between seminar room and general reader.

Digital displacement

Attention economies eroded deep reading — the pipeline into literary and historical study.

Around the world

DIRECTIONS ARE REAL; EXACT FIGURES VARY BY COUNTRY AND YEAR · ILLUSTRATIVE SUMMARY

Every generation inherits the same question — what is a human being for? This programme teaches you to keep it open.